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	<title>decastroandre.com</title>
	<link>https://decastroandre.com</link>
	<description>decastroandre.com</description>
	<pubDate>Sun, 09 Aug 2026 22:52:29 +0000</pubDate>
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		<title>index</title>
				
		<link>https://decastroandre.com/index</link>

		<pubDate>Wed, 19 Jun 2024 02:54:30 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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					André de Castro
				
			
		
		
			
				scenic design - architecture
			
		
		
	

	
  
    
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		<title>Ain't Misbehavin'</title>
				
		<link>https://decastroandre.com/Ain-t-Misbehavin</link>

		<pubDate>Sat, 04 Jul 2026 01:47:10 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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        Ain’t Misbehavin’
        Director / Direção: Steve H. Broadnax III
Choreo: Dorse Brown
Music Director: Julia Buckingham
        Set Designer: André de Castro
        Costume Design / Figurinos: Marla Jurgalins
        Lighting Designer / Iluminador: Nic Vincent
Sound Design: Curtis Craig
        
        ︎ All Photos by Mathew Sewell



    
	
        
            ︎ The Arkansas Repertory Theatre,
            Little Rock – USA
            Summer, 2026
&#38;nbsp;



    
        
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	<item>
		<title>Joseph &#38; The Amazing Technicolor Dreamcoat</title>
				
		<link>https://decastroandre.com/Joseph-The-Amazing-Technicolor-Dreamcoat</link>

		<pubDate>Sun, 09 Aug 2026 22:52:29 +0000</pubDate>

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        Joseph &#38;amp; The Amazing Technicolor Dreamcoat
        Director / Direção: Caelon Colbert
Choreo: Brian Earles
Music Director: Christian Waldron
        Set Designer: André de Castro
        Costume Design / Figurinos: Michael Ciaramitaro
        Lighting Designer / Iluminador: Faith Spencer
Sound Design: Multiband Studios

        ︎ All Photos by Mathew Sewell



    
	
        
            ︎ The Arkansas Repertory Theatre,
            Little Rock – USA
            Summer, 2026
&#38;nbsp;



    
        
&#60;img width="4042" height="2696" width_o="4042" height_o="2696" data-src="https://freight.cargo.site/t/original/i/c4c177018ad5fcea93aee0fd249786bd992f68cdde316914c82d3a65106edafa/5-copy-3.jpg" data-mid="251131538" border="0"  src="https://freight.cargo.site/w/1000/i/c4c177018ad5fcea93aee0fd249786bd992f68cdde316914c82d3a65106edafa/5-copy-3.jpg" /&#62;
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		<title>Steel Magnolias</title>
				
		<link>https://decastroandre.com/Steel-Magnolias</link>

		<pubDate>Sat, 04 Jul 2026 02:23:19 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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Steel Magnolias
        Director / Direção: Christine O’Grady
        Set Designer: André de Castro
        Costume Design / Figurinos: Michael Ciaramitaro
        Lighting Designer / Iluminador: Faith Spencer
Sound Design: Chris Lane/ Multiband Studios
        
        ︎ All Photos by Mathew Sewell

    
	
        
            ︎ The Arkansas Repertory Theatre,
            Little Rock – USA
            Summer, 2026
        
    





    
        
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		<title>The Courtyard Theatre</title>
				
		<link>https://decastroandre.com/The-Courtyard-Theatre</link>

		<pubDate>Wed, 11 Jun 2025 03:09:38 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/The-Courtyard-Theatre</guid>

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 The Courtyard Theatre
&#38;nbsp;︎ Award-winning project selected through&#38;nbsp;World Stage Design 2025,&#38;nbsp;Sharjah, UAE. World Stage Design Sharjah 2025 TAC - Theatre Architecture Competition



    This theater is envisioned as an architectural extension of the sidewalk, inviting the audience to become part of the structure as they ascend a continuous, accessible ramp that wraps around the stage. The stage is highly adaptable, capable of transforming into proscenium, thrust, arena, or alley configurations. Spectators may sit on modular chairs at ground level or gather freely along the ramp, forming a “floating” audience with shifting perspectives.
    
    Facing the cafeteria, the theater fosters a dynamic connection between performance and daily life. Its right-side façade remains closed to the adjacent Hall of Arts, offering acoustic protection for nearby studios.
    
    The design reinterprets traditional Arab architecture through a contemporary lens. Detached from the existing building, the new structure stands as a modern gesture that honors regional heritage. Coral-patterned mashrabiya panels provide shade, natural airflow, and sound control.
    
    Constructed with a modular steel framework, the theater emphasizes flexibility and efficiency. Its components are custom yet standardized, allowing for easy storage, transport, and assembly.
    
    This building never truly closes. It remains a living structure—an open, breathing extension of the patio, always accessible to the community. Here, architecture becomes part of the performance, blurring the line between spectator and participant.


&#38;nbsp;
	
    
      
      ︎ World Stage Design 2025, Sharjah – UAE
      Spring, 2025
    
  





  
    
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		<title>Hair: The American Tribal Love-Rock Musical</title>
				
		<link>https://decastroandre.com/Hair-The-American-Tribal-Love-Rock-Musical</link>

		<pubDate>Thu, 27 Nov 2025 01:11:24 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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    Hair: The American Tribal Love-Rock Musical

    Director / Direção: Christine O’Grady
    Set Designer: André de Castro
    Music Director / Diretor Musical: Christian Waldron
    Costume Design / Figurinos: Michael Ciaramitaro
    Lighting Designer / Iluminador: Dena Kimberling and Griffen Birdsong
    Sound Design / Designer de Som: Multiband Studio
    Production Stage Manager / Diretor de Palco: Luisa A. Torres
    

    ︎ Mattew Sewell

    Concept
    “What did the hippie movement look like in Arkansas?”
    We looked into the wave of people moving from northern cities to the South, chasing a simpler life closer to nature.
    That led us to a world where NYC meets the Ozarks — a set built from a simple landscape idea, with layers, levels, and lots of movement.
    Sharp city lines meet decorated fences. The band’s onstage the whole time. Newspaper clippings fall like the headlines of the time.
    We pulled inspiration from street theater in Minas Gerais to the energy of the Lower East Side — a colorful mix of cultures and stories.
    

  
	

      ︎ Arkansas Reperthory Theatre, Little Rock – USA
      Summer, 2025
&#38;nbsp;



  
    
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		<title>Hamlet</title>
				
		<link>https://decastroandre.com/Hamlet</link>

		<pubDate>Sat, 19 Jul 2025 01:54:11 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Hamlet</guid>

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        Hamlet
        Director / Direção: Chris Fritzges
        Set Designer: André de Castro
        Costume Design / Figurinos: Keagan Styes-Peña &#38;amp; Shauna Meador
        Lighting Designer / Iluminador: Nita Mendoza
        
        ︎ All Photos by Pablo Mena &#38;amp; André de Castro

        Concept:

        The inspiration for this production grew from The Mousetrap, the play-within-the-play where Prince Hamlet enlists a troupe of traveling actors to expose the king’s guilt. This pivotal moment—one of the most iconic in Shakespeare’s work—became the foundation for our own meta-theatrical approach.

        We imagined the stage as if a wandering troupe had arrived in Arkansas to perform Hamlet, creating a world where performance and reality constantly overlap. A false proscenium framed the action, and the entire space was dressed to evoke the improvisational charm of itinerant theatre.

        Visually, the production blended elements of American vaudeville and commedia dell’arte with the exuberant, handcrafted aesthetic of Brazilian baroque street theatre. This fusion shaped the environment, the textures of the set, and the costumes, creating a vibrant, layered universe for one of Shakespeare’s most iconic tragedies.

    
	
        
        
            ︎ The James M. Bridges Blackbox Theatre,
            University of Central Arkansas – US
            Fall, 2025




    
        
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	<item>
		<title>Natasha, Pierre &#38; the Great Comet of 1812</title>
				
		<link>https://decastroandre.com/Natasha-Pierre-the-Great-Comet-of-1812-1</link>

		<pubDate>Wed, 19 Jun 2024 02:54:32 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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		<description>
	

    
      
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    Natasha, Pierre &#38;amp; The Great Comet of 1812︎First Place Design Competition at Penn State University, 2024
Director / Direção: Christine O'Grady
    Music Director / Direção Musical: Anne Van Steenwinkel
    Costume Design / Figurinos: Michael Ciaramitaro


	


      ︎ Playhouse Theatre, University Park, PA
      October 17–29, 2023
    
  



  
    
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/54fe8101bef1e33865a7980db965f3ecf3b449f9c0570fd5f149c2d4c178341b/MKL09709-copy2-2-copy.jpg" data-mid="213161670" border="0"  src="https://freight.cargo.site/w/1000/i/54fe8101bef1e33865a7980db965f3ecf3b449f9c0570fd5f149c2d4c178341b/MKL09709-copy2-2-copy.jpg" /&#62;
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	<item>
		<title>Eurydice</title>
				
		<link>https://decastroandre.com/Eurydice</link>

		<pubDate>Wed, 07 May 2025 20:59:07 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Eurydice</guid>

		<description>
	

    
      
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    EurydiceDirector / Direção: Lauren Carton
    Costume Design / Figurinos: Shauna Meador
    Set Design / Scenic Charge / Props Manager: André de Castro

  
	
    
    ︎ The James M. Bridges Blackbox Theatre, University of Central Arkansas, US
    Spring, 2025
&#38;nbsp;



  
    
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</description>
		
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	<item>
		<title>Fome de Quê?</title>
				
		<link>https://decastroandre.com/Fome-de-Que</link>

		<pubDate>Wed, 19 Jun 2024 02:54:34 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Fome-de-Que</guid>

		<description>
	

    
      
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    Fome de Quê?

    Director / Direção: Fernando de Castro

 ︎ Inverso Fotografia


	︎Cine Theatro Brasil
      Belo Horizonte, MG – Brasil
      2019
    
  



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