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	<title>decastroandre.com</title>
	<link>https://decastroandre.com</link>
	<description>decastroandre.com</description>
	<pubDate>Sat, 04 Jul 2026 02:23:19 +0000</pubDate>
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		<title>index</title>
				
		<link>https://decastroandre.com/index</link>

		<pubDate>Wed, 19 Jun 2024 02:54:30 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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		<description>
	
		
			
				
					André de Castro
				
			
		
		
			
				scenic design - architecture
			
		
		
	

	
  
    
      
        
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	<item>
		<title>Ain't Misbehavin'</title>
				
		<link>https://decastroandre.com/Ain-t-Misbehavin</link>

		<pubDate>Sat, 04 Jul 2026 01:47:10 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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        Ain’t Misbehavin’
        Director / Direção: Steve H. Broadnax III
Choreo: Dorse Brown
Music Director: Julia Buckingham
        Set Designer: André de Castro
        Costume Design / Figurinos: Marla Jurgalins
        Lighting Designer / Iluminador: Nic Vincent
Sound Design: Curtis Craig
        
        ︎ All Photos by Mathew Sewell

&#38;nbsp;

    

    
        
        
            The Arkansas Repertory Theatre,
            Little Rock – USA
            Summer, 2026
        
    





    
        
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	<item>
		<title>Steel Magnolias</title>
				
		<link>https://decastroandre.com/Steel-Magnolias</link>

		<pubDate>Sat, 04 Jul 2026 02:23:19 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Steel-Magnolias</guid>

		<description>

    

        
        
            
                
                    
                        
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        Steel Magnolias
        Director / Direção: Christine O’Grady
        Set Designer: André de Castro
        Costume Design / Figurinos: Michael Ciaramitaro
        Lighting Designer / Iluminador: Faith Spencer
Sound Design: Chris Lane/ Multiband Studios
        
        ︎ All Photos by Mathew Sewell

&#38;nbsp;

    

    
        
        
            The Arkansas Repertory Theatre,
            Little Rock – USA
            Summer, 2026
        
    





    
        
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	<item>
		<title>Hamlet</title>
				
		<link>https://decastroandre.com/Hamlet</link>

		<pubDate>Sat, 19 Jul 2025 01:54:11 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Hamlet</guid>

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        Hamlet
        Director / Direção: Chris Fritzges
        Set Designer: André de Castro
        Costume Design / Figurinos: Keagan Styes-Peña &#38;amp; Shauna Meador
        Lighting Designer / Iluminador: Nita Mendoza
        
        ︎ All Photos by Pablo Mena &#38;amp; André de Castro

        Concept:

        The inspiration for this production grew from The Mousetrap, the play-within-the-play where Prince Hamlet enlists a troupe of traveling actors to expose the king’s guilt. This pivotal moment—one of the most iconic in Shakespeare’s work—became the foundation for our own meta-theatrical approach.

        We imagined the stage as if a wandering troupe had arrived in Arkansas to perform Hamlet, creating a world where performance and reality constantly overlap. A false proscenium framed the action, and the entire space was dressed to evoke the improvisational charm of itinerant theatre.

        Visually, the production blended elements of American vaudeville and commedia dell’arte with the exuberant, handcrafted aesthetic of Brazilian baroque street theatre. This fusion shaped the environment, the textures of the set, and the costumes, creating a vibrant, layered universe for one of Shakespeare’s most iconic tragedies.

    

    
        
        
            The James M. Bridges Blackbox Theatre,
            University of Central Arkansas, Conway – USA
            Fall, 2025
        
    





    
        
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	<item>
		<title>Hair: The American Tribal Love-Rock Musical</title>
				
		<link>https://decastroandre.com/Hair-The-American-Tribal-Love-Rock-Musical</link>

		<pubDate>Thu, 27 Nov 2025 01:11:24 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

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    Hair: The American Tribal Love-Rock Musical

    Director / Direção: Christine O’Grady
    Set Designer: André de Castro
    Music Director / Diretor Musical: Christian Waldron
    Costume Design / Figurinos: Michael Ciaramitaro
    Lighting Designer / Iluminador: Dena Kimberling and Griffen Birdsong
    Sound Design / Designer de Som: Multiband Studio
    Production Stage Manager / Diretor de Palco: Luisa A. Torres
    

    ︎ Mattew Sewell

    Concept
    “What did the hippie movement look like in Arkansas?”
    We looked into the wave of people moving from northern cities to the South, chasing a simpler life closer to nature.
    That led us to a world where NYC meets the Ozarks — a set built from a simple landscape idea, with layers, levels, and lots of movement.
    Sharp city lines meet decorated fences. The band’s onstage the whole time. Newspaper clippings fall like the headlines of the time.
    We pulled inspiration from street theater in Minas Gerais to the energy of the Lower East Side — a colorful mix of cultures and stories.
    

  

  
    
      Arkansas Reperthory Theatre, Little Rock – USA
      Summer, 2025
    
  





  
    
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	<item>
		<title>The Courtyard Theatre</title>
				
		<link>https://decastroandre.com/The-Courtyard-Theatre</link>

		<pubDate>Wed, 11 Jun 2025 03:09:38 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/The-Courtyard-Theatre</guid>

		<description>

  
    
      
        
          
          
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    The Courtyard Theatre
    
      World Stage Design Sharjah 2025
      TAC - Theatre Architecture Competition
      Project Selected for the Exhibition in Sharjah, UAE.
    
    

    This theater is envisioned as an architectural extension of the sidewalk, inviting the audience to become part of the structure as they ascend a continuous, accessible ramp that wraps around the stage. The stage is highly adaptable, capable of transforming into proscenium, thrust, arena, or alley configurations. Spectators may sit on modular chairs at ground level or gather freely along the ramp, forming a “floating” audience with shifting perspectives.
    
    Facing the cafeteria, the theater fosters a dynamic connection between performance and daily life. Its right-side façade remains closed to the adjacent Hall of Arts, offering acoustic protection for nearby studios.
    
    The design reinterprets traditional Arab architecture through a contemporary lens. Detached from the existing building, the new structure stands as a modern gesture that honors regional heritage. Coral-patterned mashrabiya panels provide shade, natural airflow, and sound control.
    
    Constructed with a modular steel framework, the theater emphasizes flexibility and efficiency. Its components are custom yet standardized, allowing for easy storage, transport, and assembly.
    
    This building never truly closes. It remains a living structure—an open, breathing extension of the patio, always accessible to the community. Here, architecture becomes part of the performance, blurring the line between spectator and participant.
    

  

  
    
    
      
      World Stage Design 2025, Sharjah – UAE
      Spring, 2025
    
  





  
    
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</description>
		
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	<item>
		<title>Eurydice</title>
				
		<link>https://decastroandre.com/Eurydice</link>

		<pubDate>Wed, 07 May 2025 20:59:07 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Eurydice</guid>

		<description>
  

    
      
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    Eurydice

    Director / Direção: Lauren Carton
    Costume Design / Figurinos: Shauna Meador
    Set Design / Scenic Charge / Props Manager: André de Castro

  

  
    
    The James M. Bridges Blackbox Theatre, University of Central Arkansas, AR
    Spring, 2025
  



  
    
&#60;img width="4869" height="2990" width_o="4869" height_o="2990" data-src="https://freight.cargo.site/t/original/i/79170236ba3724978366bb7def901e4ddb919b4a360d97edf1dbc98659be8573/Eurydice---Austin-14-.JPG" data-mid="232914806" border="0"  src="https://freight.cargo.site/w/1000/i/79170236ba3724978366bb7def901e4ddb919b4a360d97edf1dbc98659be8573/Eurydice---Austin-14-.JPG" /&#62;
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	<item>
		<title>Natasha, Pierre &#38; the Great Comet of 1812</title>
				
		<link>https://decastroandre.com/Natasha-Pierre-the-Great-Comet-of-1812-1</link>

		<pubDate>Wed, 19 Jun 2024 02:54:32 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Natasha-Pierre-the-Great-Comet-of-1812-1</guid>

		<description>
  

    
      
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    Natasha, Pierre &#38;amp; The Great Comet of 1812

    Director / Direção: Christine O'Grady
    Music Director / Direção Musical: Anne Van Steenwinkel
    Costume Design / Figurinos: Michael Ciaramitaro

  

  
    

      Playhouse Theatre, University Park, PA
      October 17–29, 2023
    
  



  
    
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/54fe8101bef1e33865a7980db965f3ecf3b449f9c0570fd5f149c2d4c178341b/MKL09709-copy2-2-copy.jpg" data-mid="213161670" border="0"  src="https://freight.cargo.site/w/1000/i/54fe8101bef1e33865a7980db965f3ecf3b449f9c0570fd5f149c2d4c178341b/MKL09709-copy2-2-copy.jpg" /&#62;
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	<item>
		<title>The Threepenny Opera</title>
				
		<link>https://decastroandre.com/The-Threepenny-Opera</link>

		<pubDate>Wed, 19 Jun 2024 02:54:31 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/The-Threepenny-Opera</guid>

		<description>
  

    
      
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    The Threepenny Opera
    By Bertolt Brecht, Kurt Weill, Elisabeth Hauptmann

    Thesis Project for the M.F.A. in Scenic Design at Penn State University.

    Mentors:
    Dan Robinson, Milagros Ponce de Léon, Charlene Gross, Richard St. Clair

  

  
    

      Penn State University, PA
      2024
    
  



  
    
&#60;img width="4206" height="2366" width_o="4206" height_o="2366" data-src="https://freight.cargo.site/t/original/i/44a0fd8f8abf2490a407ab4d078bb742df0410c081f8703b6323731d0aa5f4b3/_APRESENTACAO-FINAL-45.jpg" data-mid="213161664" border="0"  src="https://freight.cargo.site/w/1000/i/44a0fd8f8abf2490a407ab4d078bb742df0410c081f8703b6323731d0aa5f4b3/_APRESENTACAO-FINAL-45.jpg" /&#62;
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	<item>
		<title>Cabaret</title>
				
		<link>https://decastroandre.com/Cabaret</link>

		<pubDate>Wed, 19 Jun 2024 02:54:33 +0000</pubDate>

		<dc:creator>decastroandre.com</dc:creator>

		<guid isPermaLink="true">https://decastroandre.com/Cabaret</guid>

		<description>
  

    
      
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    Cabaret

    Director / Direção: Chaz Wolcott
    Music Director / Direção Musical: Emily Orf
    Costume Design / Figurinos: Zandra Siple

    Concept
    Cabaret, with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff, 
    was first produced on Broadway in 1966. The story is set in Berlin in the early 1930s, 
    as the Nazi party rises to power. The musical revolves around the seedy Kit Kat Club, 
    and as the story unfolds, the characters are drawn into the increasingly tumultuous 
    political climate of the time.

    Cabaret explores themes of sexuality, love, and the tension between personal desire and 
    political turmoil. It also offers a powerful commentary on the rise of fascism and 
    authoritarianism, and on the dangers of remaining passive or apathetic in the face of 
    growing intolerance. In today’s political climate—marked by nationalism, xenophobia, and 
    ongoing struggles for social justice—the musical serves as a reminder of the importance 
    of vigilance, activism, and resistance.

    The scenography for this production was conceived as an act of resistance, grounded in 
    the historical and political context and committed to representing diversity and 
    subversion in all forms. The set conveys fear and decay while also suggesting resilience 
    through symbolic elements and spatial strategies. The project reflects how art can play 
    a transformative role and serve as a means of resisting oppression and intolerance.

  

  
    


      Playhouse Theatre, University Park, PA
      October 25–November 5, 2022
    
  





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